Linda Sormin

Linda Sormin looking up at hanging installation artwork

Born in Bangkok, Thailand, Linda Sormin moved to Canada with her family at the age of five. Sormin’s sculptures and site-responsive installations embody the vulnerable and fragmentary nature of her diasporic experience. Recent exhibitions include two large scale installations in Ceramics in the Expanded Field: Sculpture, Performance and the Possibilities of Clay at MASS MoCA, North Adams, MA, (2021-23), and Hokusai: Inspiration and Influence at the Museum of Fine Arts, Boston, MA (2023). Her first solo museum exhibition will open next October at the Gardiner Museum in Toronto.

Sormin lives and works in New York City. Since the early 2000’s, she established a distinct visual and material language, using raw clay, fired ceramics, found objects, and interactive methods. She integrates writing, video, sound and handcut paintings with clay, metal and wood. While actively participating in the contemporary art dialogue for over 20 years, Sormin’s recent research and writing sheds new light on how her work has always been part of a continuum of cultural practices in her family histories, rooted in Thailand, China, and Indonesia. Advocating for decolonial approaches in art and education since the early 1990s, when she worked in community development in Laos, she has since taught visual art at Emily Carr University, Rhode Island School of Design, Sheridan College, Alfred University, and currently New York University, where she is a tenured Associate Professor of Studio Art and Head of Ceramics. She holds a BA in English Literature (Andrews University,1993), a Diploma in Craft and Design (Sheridan College, 2001) and an MFA in Ceramic Art (Alfred University, 2003). 

Sormin’s work is included in private and public collections including the permanent collections of the Museum of Fine Arts Boston (Boston, MA, USA), Renwick Gallery at the Smithsonian American Art Museum (Washington, DC, USA), Gardiner Museum (Toronto, ON, Canada), CLAY Museum of Ceramic Art (Middelfart, Denmark), Everson Museum of Art (Syracuse, NY, USA), Victoria & Albert Museum (London, UK), Arizona State University Museum, (Tempe, AZ, USA), World Ceramic Exposition (Gyeonggi Province, Korea), and Alfred Ceramic Art Museum (Alfred, NY, USA).

Interview via TD AMCB Art Collection, New York City, USA. Video by André Moore.

Linda Sormin

“Clay streams above and veers past, willing me to compromise, to give ground. I roll and pinch the thing into place; I collect and lay offerings at its feet. This architecture melts and leans, hoards objects in its folds. Forms lurch, dare you to approach, space collapses with the brush of a hand.

Nothing is thrown away - this immigrant lives in fear of waste. Old yoghurt starts a new batch. Images glitch and flow. What is worth risking for things to get juicy, rare, ripe? What might be discovered on the verge of things going bad?”

Selected Press

A Distinctly Canadian Ethos

Studio Magazine, Mary-Beth Laviolette

2022

This Present Moment: Crafting a Better World

Smithsonian American Art Museum, Mary Savig with Nora Atkinson and Anya Montiel

2022

At Mass MoCA, ceramic art proves its power

Boston Globe, Murray Whyte

2021

Linda Sormin: at the Edge of Capacity

Ceramic Art + Perception, Natalie Baerselman le Gros

2023

Ceramic, Art and Civilisation

Bloomsbury Visual Arts, Paul Greenhalgh

2021